A conscientious rebel with Dad-heart fire — grounded truth, global vision, and a drive to connect through story.

A true collaborator.. willing to explore the depths of his character..demonstrated a gentle leadership among his fellow actors and crew…can’t wait to work with Norm again in the future

James Austen – Writer-Director, The Trafficker
Thoughtful, kind, and genuine.
Matt Miller
Director / Executive Producer, Teachers
His portrayal was so much more than I ever expected…an absolutely talented collaborator..cannot wait to work with him again.

Alycya Magaña – Writer-Director, Un Ratito Mas
A distinct voice, an unassuming brilliance in his craft, often shedding light on the human experience with a clever sense of humor that catches you off guard.

James Choi – Award-Winning Executive Producer
An excellent actor, his energy, enthusiasm and attitude make him a perfect ally..professional and courteous. I look forward to working with him again!
              
Guillaume Le Mezo – Cinematographer
Norman is an extraordinary actor, merging a deep understanding of the story with his own artistic interpretation.
              
Jerry Fan, Producer
“I am shocked that such talent even exists…Yap’s performance was especially touching. Grateful that more of his incredible work will exist…Looking forward to the masterclass that is his career!
              
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Norman Garcy Yap on IMDb

Press Sound Bites

Norman Yap is hapless, funny, and finally much more, greatly enhanced by Wai Yim as Lin’s brother. The relationship between these two is among the tenderest, truest things I’ve seen on a stage in a long time.” – Chicago Reader, Chimerica

“Gutsy work, especially Norman Yap, the play’s moral conscience.” -Chicago Tribune, Chimerica

“Subtlety and a wry coolness in Norman Garcy Yap’s adroit performance. Underlying the surface is an incompleteness that waits to be pierced, and Yap moves brilliantly into that moment.” -Ithaca Times, The Great Leap

“The terrific Norman Yap is heartbreaking as Zhang Lin…eternally tormented by his violent past, haunted by the loss of his wife.” -Chicago Theatre, Chimerica

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